For sale, Yamaha 8335G, in mostly raw brass. Bob Reeves PVA, specialized gap, specially annealed bell mounted stress-free. This horn was owned and played by trumpeter Rex Richardson, and I played it for the ITG 2009 solo competition finals among other performances. There is some wear from use but it has many years of superstar life left to it. Valves, slides move like you would expect of a professional instrument. Camera flash makes lacquer wear stand out, it is actually a very pretty horn in person because of the polished raw gold brass bell. A great horn guaranteed. $1000, buyer pays fees/shipping. No case, no mouthpiece.

I am pleased to announce that I will be the trumpet graduate teaching assistant at the University of Miami (FL) while I work on my DMA with Craig Morris, formerly of the Chicago Symphony Orchestra, starting in August 2010. There was a lot of great competition and while I had a good audition, I am lucky to have been offered the position.

Thanks for your support!

Andy

It is a very nice horn. Serial # 297XXX, it is about 15 years old. I’ve used it for everything: orchestra, opera, quintet, solos. Bell is in raw brass (stripped) and the rest is lacquer. The horn is in nearly perfect shape– valves and slides work perfectly, a few tiny tiny dents that can’t be pictured.

Fantastic horn at an unbeatable price. Both D and Eb sides are very good. Sound is unbeatable for under $3000.

Includes two sets of slides (D slides not pictured, but they look just like the Eb ones). No case or mouthpiece. Paypal preferred, buyer pays fees and shipping. Pictures don’t do it justice– it’d look great completely stripped or silver plated.

$1500, no negotiations.

My first horn was a Schilke, and I liked this one better. It has a more complex resonant sound than many of the piccolo trumpets I have played. I am a professional trumpeter, and have done a lot of work this with it: Magnificat, Trumpet Shall Sound, Pictures at an Exhibition, baroque solo trumpet repertoire, weddings, quintet, musicals, etc. Audience members, colleagues, and friends have always reviewed performances extremely highly. Several orchestral players that I greatly respect put me onto this model, and I believe it is particularly popular among that crowd for its colorful and carrying sound.

I am selling because I have two: this one, as well as a Yamaha 9810 I recently purchased. The Yamaha is a relatively rare horn and is the one I am choosing to hold onto. They are both very good, I obviously just don’t need two of them. There are a couple of other modifications I had the intention of having done before the Yamaha came along, and I am glad to chat about those. They are easy and cheap.

Comes with original case in moderate condition, a Leather Specialties hand guard that no longer fits due to the modification, and the 7C mouthpiece I used with it most often. Also comes with all of the documentation, including original receipt, and the shop receipt of the brace modification.

Hopefully I can give someone the chance to get what was already a good horn, with some of the kinks worked out, at a good price. No profit intended, just looking for someone who can use it.

Feel free to contact me, Andy Harms, if you have any questions or you would like to see pictures. AndrewHarms@umkc.edu

$1200– the price that I bought it plus standard shipping. Paypal only. No foreign sales.

1. King Lear, by William Shakespeare
2. The Things They Carried, by Tim O’Brien
3. The Lord of the Rings, by J.R.R. Tolkien
4. Chronicle of a Death Foretold, by Gabriel Garcia-Marquez
5. The Hitchhiker’s Guide to the Galaxy, by Douglass Adams
6. The Metamorphosis, by Franz Kafka
7. The Fabric of the Cosmos by Brian Greene
8. Zen and the Art of Motorcycle Maintanence
9. Life of Pi, by Yann Martel
10. The Three Muskateers, by Alexander Dumas
11. The Dubliners, by James Joyce
12. Catch 22, by Joseph Heller
13. The Sound and the Fury, by William Faulkner

The 239G bell is a tighter sound than the 229, and the gold brass mellows it out a little bit. The result is a compact fluid sounding horn, suitable for solo work, but also played with a few fantastic quintets, other chamber applications, and for several years as principal trumpet for area and academic orchestras.

A few words about the leadpipe. The original, and the one currently mounted, is a 25C. It plays very nimbly with this pipe, and although not always the first choice for others, it seems to fit this instrument. The horn plays responsively and people often mention how easily it plays above the staff. This would be a good pipe for someone new to the C trumpet. I also have a 25S pipe, which improves intonation and allows all open fingerings, at the cost of requiring more air. I can have either pipe mounted before I ship it, at no cost.

Condition is what you would expect of a professional trumpet. Slides, valves work flawlessly, a couple of dents in the bell and one at the tip of the third valve slide. First valve brace has been removed, which fixed a chippy high F.

I can include both pipes for $1400– check or Paypal. Trumpet only. Feel free to contact with any questions.

Fanfare for St. Edmondsbury by Benjamin Britten

Sonata for trumpet and piano by Paul Hindemith

brief intermission

Parable XIV for solo trumpet by Vincent Persichetti

Concerto in Eb for trumpet and orchestra (piano) by Joseph Haydn

Assisted by Anna Garcia and Peter Pirotte on trumpet, and Kristy Mezines on piano. Hope to see you all there!

Competition will be in Harrisburg, PA, at 4:30 on Friday, May 29th, at the Hilton. Hope to see you there!

Kudos also to Aaron Linscheidt, jazz division finalist.

- 37 Bell 
-ML bore (.459)
-25 standard leadpipe
-raw brass bell and leadpipe
-4 years old (634xxx), right before the strike

Price: $950 (shipped)

My Bb trumpet is for sale. I bought it new and have owned it for 4 years. I personally broke the valves in, they work great with no hang-ups. Slides move great. I am missing the two 3rd slide nuts, but the slide stays put pretty well when it isn’t in use. Being my primary horn for many years, this horn has been used for a bajillion musicals, big bands, concert bands, orchestras, church gigs, weddings, recitals… if you’ve heard me play, you probably heard this trumpet. Sound and response are especially good. Selling because I just can’t justify owning two Bbs at this point in my life. It will be missed.

As far as condition, it is good for a horn that has seen constant use. I stripped the lacquer off the bell and leadpipe when I got it, and it has tarnished attractively. It is actually a pretty sexy trumpet. The bell has a couple of love dents, but as you can(’t) see in the picture, they are so small that a repair guy wouldn’t even bother to take them out, or even notice them. Valves are emaculate. Original case included for an extra $20.

Just e-mail me at AndrewHarms@umkc.edu if you are interested. I would accept Paypal or money order. Pictures below are very much “as is.”

1) I’m curious why so many people take it upon themselves to play music that is diffult and not very musically satisfying. Many people on the lists for undergraduate and graduate at NTC have chosen to play a movement or several movements from incredibly difficult trumpet music. I would have to question that practice, as in my experience, few who participate in NTC can ever say that have “mastered” any music. I am inclined to say that time spent practicing a movement of Kennan, Legend, or something comparable can be more musically motivating and less destructive than, say, the Davies.

2) Sort of a shoot-off of my previous point, and perhaps more commonly applicable to trumpeters (or perhaps simply everybody), people feel compelled to verbally compete, or even compete with actual physical playing. This seems to be human nature, and I am certainly guilty. But when you stop to think about it, this really can’t possibly help, even from a competitive standpoint. Since so much of music has nothing to do with how many notes there are, how high it goes, etc, this attitude is rarely justifiable (or never). Also, what a person can do and what a person can do on stage or otherwise in a pressure situation are usually quite different. Finally on this point, I ask the question: what good is a routine of any kind if it doesn’t help you be successful on the repertoire?

3) I really enjoy hearing other trumpeters. Maybe it is a competitive edge in me that prompts me to listen to other students, but I find it more likely that I just really like trumpet. I do love to compete, as I think nothing hones my playing more than hearing someone else who does it “better,” and I even learn something from standard mortal trumpeters. But most of all I love trumpet. The solo repertoire is always exciting for me, and as a friend recently put it: Mahler 2 can change your life. It is a great time to be a trumpeter and a musician.